Disclosure Document
| 2021_ap_photo_disclosure_document.pdf |
Dappled Light
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Objective: Pay attention to light in your environment and seek out a certain type of light.
What is due? 5 amazing photos. Dappled light creates some wonderful images. Go out and take images with dappled light – think light reflecting through the curtains onto the wall on a sunny afternoon, speckles of light hitting leaves in a forest, a street scene where light plays on footpaths, walls, and people. |
Idea Journal
Objective: Plan your photo shoots in your idea journal to create the best possible images.
The idea journal will be used on EVERY SINGLE homework assignment, unless told otherwise. The idea journal could be a notebook, Google Doc, Google Slide, the note app on your phone, or something else (check with Mr. Lewis). Often you will be given a little bit of time in class to start your planning. You get a score for your idea journal along with every homework assignment.
Here's what I expect WRITTEN in your idea journal:
The idea journal will be used on EVERY SINGLE homework assignment, unless told otherwise. The idea journal could be a notebook, Google Doc, Google Slide, the note app on your phone, or something else (check with Mr. Lewis). Often you will be given a little bit of time in class to start your planning. You get a score for your idea journal along with every homework assignment.
Here's what I expect WRITTEN in your idea journal:
- Idea - What question is the photo or sequence of photos answering, and/or what are you saying with the photos?
- How - How are you going to accomplish this idea?
- Where - Where are some possible locations you can go for this idea?
- When - When are you going to do this? Set a plan! You have a smart phone. Use it!
- What - What props or equipment do you need for your idea?
- Who - Who will be there for your model or to help you out?
- Examples or inspiration - Put 5-10 example images together with your written responses.
You will also put your finished images into your idea journal right after the planning portion, and critique the photos that you took. Think about the following things as you critique your image:
- Start by viewing the image and taking note of your initial feelings towards the photograph. What’s your gut reaction? How does it strike you? How does it make you feel?
- Look at the image for at least 30 seconds straight. Move your eyes around the frame from corner to corner. Where do they go naturally? Why? Where do you find your eyes resting for longer periods? Where do your eyes not want to go? Do you find any elements particularly distracting from the focal point?
- Pay attention to the different elements in an image. Do the elements add interest or not?
- Consider the purpose of the image. A fine art portrait probably shouldn't be critiqued as if it were a professional headshot. Is it a test image? Then perhaps more technical notes are warranted. Does the image communicate its desired message? Why or why not?
- Consider the elements of design: Line, shape, form, value, space, color, and texture.
- Lastly, think about how the image could be better technically. This is typically the most straightforward consideration, and so think about last. Is the image too soft? Too crisp? Over or under saturated? Over or under exposed? Etc.
Levitation Photography
Objective: Learn about pre-production work in planning a creative photo shoot, taking the planned photos, and editing them. Also, learn how to use layer masks in Photoshop.
What is due? 2 levitation photos, each of which are made up of at least two photos (subject and then background).
A great set of instructions can be found here for taking the photos and editing them. We are doing the levitation photos that involves using a stool or box on which to rest the subject. Use a tripod and manual mode. After you focus on the subject, switch the lens to manual focus. You'll take one photo of the subject resting on the support (i.e. stool), then remove the support and subject and photograph the environment without changing any settings.
The video below shows how to do the Photoshop steps to combine the two images.
The question you need to ask is, "Why is this person levitation?" Answer that question in your photograph, and it will be much more interesting to look at.
What is due? 2 levitation photos, each of which are made up of at least two photos (subject and then background).
A great set of instructions can be found here for taking the photos and editing them. We are doing the levitation photos that involves using a stool or box on which to rest the subject. Use a tripod and manual mode. After you focus on the subject, switch the lens to manual focus. You'll take one photo of the subject resting on the support (i.e. stool), then remove the support and subject and photograph the environment without changing any settings.
The video below shows how to do the Photoshop steps to combine the two images.
The question you need to ask is, "Why is this person levitation?" Answer that question in your photograph, and it will be much more interesting to look at.
Nothingness
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Inspired by Riccardo Melosu's "Nothing is Obvious" series.
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Objective: Learn about pre-production work in planning a creative photo shoot, taking the planned photos, and editing them. Also, learn how to use layer masks in Photoshop.
What is due? 2 photos, each of which are made up of at least two photos (subject and then background). Set up your camera on a tripod, pose your subject with an environment that will aid in your vision of Nothingness, and focus your camera on the subject. After you focus on the subject, switch the lens to manual focus. You'll take one photo of the subject, then have the subject step out of the shot, and photograph the background without changing any camera settings, ESPECIALLY the focus. What question is your photograph answering about nothingness? |
Sustained Investigation Question
What is due? 1 paragraph
This section of the AP Art and Design Portfolio Exams offers students the opportunity to make and present works of art and design based on an in-depth investigation of materials, processes, and ideas done over time. Sustained investigation is guided by questions. It involves practice, experimentation, and revision using materials, processes, and ideas. The Sustained Investigation section is expected to demonstrate skillful synthesis of materials, processes, and ideas.
State the following in writing:
This section of the AP Art and Design Portfolio Exams offers students the opportunity to make and present works of art and design based on an in-depth investigation of materials, processes, and ideas done over time. Sustained investigation is guided by questions. It involves practice, experimentation, and revision using materials, processes, and ideas. The Sustained Investigation section is expected to demonstrate skillful synthesis of materials, processes, and ideas.
State the following in writing:
- Identify the question that will guide your sustained investigation
- Describe how you plan to have your sustained investigation show evidence of practice, experimentation, and revision which is guided by your question (1200 characters maximum, including spaces, for response to both prompts)
Song Representation
Objective: Practice taking a concept and representing it in a photograph.
What is due? 4 photos.
The two photos need to be your interpretation of the song, "Connection" by OneRepublic. What does it mean? Can you go beyond the obvious and cliche? You can create photos that represent the entire song or just a portion of it.
The other 2 photos need to show the idea behind a song that you choose.
Use your idea journal to plan the photos and photo shoot.
What is due? 4 photos.
The two photos need to be your interpretation of the song, "Connection" by OneRepublic. What does it mean? Can you go beyond the obvious and cliche? You can create photos that represent the entire song or just a portion of it.
The other 2 photos need to show the idea behind a song that you choose.
Use your idea journal to plan the photos and photo shoot.
Product Photos
Photo by Imran Mirza.
Objective: Practice taking product photos of reflective objects to better understand light.
What is due? 4 photos.
You need to photograph 4 different products. 2 of the products need to have diffuse reflections (think of how a paper reflects light). 2 of the products need to have direct reflections (think of how a mirror or something metal reflects light).
The background needs to be plain and simple - 1 color. It can be matte or reflective, but it should only be one color. You can use a poster board and bend it to create the ground and background of the image, or you can shoot down so all you see is the surface your product is resting on.
You will use your own lights for this scene. Think of lamps, flashlights, work lights, etc. that you can use. How can you modify the light to make it bigger and softer if that is the look you want? You can use paper or fabric to soften the light. You will need to position the light to show the form of the object. But you will need to be aware of the family of angles and angle of incidence (see below) and how that will influence your reflections.
Things to know about light and reflections:
What is due? 4 photos.
You need to photograph 4 different products. 2 of the products need to have diffuse reflections (think of how a paper reflects light). 2 of the products need to have direct reflections (think of how a mirror or something metal reflects light).
The background needs to be plain and simple - 1 color. It can be matte or reflective, but it should only be one color. You can use a poster board and bend it to create the ground and background of the image, or you can shoot down so all you see is the surface your product is resting on.
You will use your own lights for this scene. Think of lamps, flashlights, work lights, etc. that you can use. How can you modify the light to make it bigger and softer if that is the look you want? You can use paper or fabric to soften the light. You will need to position the light to show the form of the object. But you will need to be aware of the family of angles and angle of incidence (see below) and how that will influence your reflections.
Things to know about light and reflections:
- Effective size of the light source - this is the single most important decision in lighting a photograph. It determines what type of shadows are produced and may affect the reflection.
- Brightness (brighter is better), contrast (hard or soft shadows, which is related to the effective size of light source), and color of light (temperature).
- Reflection types: (1) A diffuse reflection from a light source is reflected equally in all directions from the surface (think white card). (2) A direct reflection is mirror image of the light source (think mirror).
- Angle of Incidence - equals the angles between the light source, the subject and the camera viewpoint.
- Family of Angles - All the angles that produce direct reflection.
Diffuse Reflection
(i.e. white card)
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Direct Reflection (i.e. mirror)
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Family of Angles
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Small light source (hard light) with direct reflection off of the CD. The light is in the family of angles from the camera.
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Large light source (softer shadows) with the direct reflection off of the DVDs. The reflection of the light completely fills the DVDs because the light was large enough to fill the family of angles.
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Dark
Objective: Learn how to plan and convey an idea through photos.
What is due? A photo series that conveys the theme of "Dark." Plan a photoshoot that will show your ideas and take as many photos as you need to really make a great photo series. HOWEVER, your first 5 photos are probably not going to be your best. So take more than that. Use your idea journal to plan your ideas, which should show/state what? who? where? when? how? and some inspiration for your shoot.
What is due? A photo series that conveys the theme of "Dark." Plan a photoshoot that will show your ideas and take as many photos as you need to really make a great photo series. HOWEVER, your first 5 photos are probably not going to be your best. So take more than that. Use your idea journal to plan your ideas, which should show/state what? who? where? when? how? and some inspiration for your shoot.
Shutter Drag
Objective: Learn how to control the on-camera flash for special effect.
What is due? 10 photos that show experimentation with rear curtain sync and shutter drag.
Shutter sync is when the flash fires during a photo. If the flash fires as soon as the shutter opens, it is called front shutter sync. If the flash fires right before the shutter closes, it is called rear shutter sync. To decide between the two, ask yourself if you want the motion to be behind the movement or in front of the movement.
To learn more about rear curtain sync, you can read this article here or read this one here (better examples). You can see some good examples on this website to help get your creative juices flowing. This article and video is by a photographer who uses this technique, too. Not only can you move the camera while taking the photo with a slower shutter speed, you can also zoom in or out to create some cool movement.
What is due? 10 photos that show experimentation with rear curtain sync and shutter drag.
Shutter sync is when the flash fires during a photo. If the flash fires as soon as the shutter opens, it is called front shutter sync. If the flash fires right before the shutter closes, it is called rear shutter sync. To decide between the two, ask yourself if you want the motion to be behind the movement or in front of the movement.
To learn more about rear curtain sync, you can read this article here or read this one here (better examples). You can see some good examples on this website to help get your creative juices flowing. This article and video is by a photographer who uses this technique, too. Not only can you move the camera while taking the photo with a slower shutter speed, you can also zoom in or out to create some cool movement.
Relationship
Objective: Learn how to show relationship through photos in a planned photo shoot.
What is due? 10 photos that show one type of relationship, such as love, friendship, nature and human, pet and owner, hands and objects, or something else creative.
Use different techniques that you have learned to show the theme "relationship" in an interesting way. The 10 photos need to be focused along one idea. Use your idea journal to plan the Who, What, Where, When, and How and put inspiration photos in it as well so your photos turn out awesome!
What is due? 10 photos that show one type of relationship, such as love, friendship, nature and human, pet and owner, hands and objects, or something else creative.
Use different techniques that you have learned to show the theme "relationship" in an interesting way. The 10 photos need to be focused along one idea. Use your idea journal to plan the Who, What, Where, When, and How and put inspiration photos in it as well so your photos turn out awesome!
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Pop Art Photos
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Objective: Analyze current popular culture themes and everyday issues to figure out a way to show them in photographs.
What is due? 5 images. Research what constitutes Pop Art. Then think about popular culture or everyday issues/objects that you can represent in the series. The ideas in the series don't need to relate but the way they are visually represented need to be similar. Make sure to complete the idea journal. |
Shadowy Portraits
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Objective: Learn how to pay attention to light and shadow and practice taking portraits.
What is due? At least 5 photos that are close up portraits that have interesting patterns of light or shadow on the face. You need to practice looking and light and the shadows produced by the light. To do that, observe your surroundings or create the light yourself. Where can you find the light? Do you need to go by a window or open door? Or can you find the light outside? Do you want to create your own light with lamps/flashlights and objects in the way to block the light? Can you cut paper to create interesting patterns? Do you want your photos to be low key or high key? Also, practice posing faces. For these head shots, get in close from the shoulders up. This will force you to practice posing the face. Where should the model look? How should their head be tilted? Where is the light hitting his or her face? Learn more about light and review posing faces by watching these videos: |
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What how Peter Hurley interacts and coaches the subject for his photos.
Solitude
Objective: Use elements and principles of design to show solitude and practice developing ideas.
What is due? 5 photos that show solitude in some way and your idea journal.
sol·i·tude noun
What is due? 5 photos that show solitude in some way and your idea journal.
sol·i·tude noun
- the state or situation of being alone
- a lonely or uninhabited place
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Principles of Design
Unity Balance Scale/Proportion Emphasis Contrast Rhythm/Repetition |
Elements of Design
Line Color Space Texture Shape Value |
Brenizer Method
What is due? 5 images
Objective: Learn how to create a specialized panorama to achieve a shallow depth of field with a wide angle of view.
The Brenizer Method is a way to create a specialized image with a shallow depth of field but wide angle of view, and it was popularized (though not created) by the photographer Ryan Brenizer. Similar to a panorama, Brenizer Method portraits consist of several photos stitched together to make one image. The objective of the Brenizer Method is to achieve a very shallow depth of field with a lot of background blur and bokeh. This shallow depth of field is only possible through layering images together.
To achieve this you need to use all manual settings - white balance, shutter speed, aperture, and ISO. Most importantly, though, your focus needs to be on manual or stay locked throughout the process. You will be stitching the images together in Photoshop, and it will not work if the camera automatically changes the focus for each shot. It will also look bad if the white balance changes between each shot, too. We wouldn't want a bad looking photo now, would we?
When taking the photos, I would start from left to right, top to bottom - similar to the way a book is read. Make sure you overlap each photo by at least a 1/3 to ensure Photoshop knows how to stitch the photo together. If taking portraits, make sure that the subject's face isn't cut off. Ensure the exposure, white balance, and focus remain the same throughout the process.
After importing the photos into Lightroom, select the series in the film strip and then click Photo > Edit In > Merge to Panorama in Photoshop. Leave the settings in the Photomerge dialogue box to what it's set (Auto, and Blend Images together checked) and click Ok. Wait. Then crop and edit either in Photoshop or Lightroom.
Objective: Learn how to create a specialized panorama to achieve a shallow depth of field with a wide angle of view.
The Brenizer Method is a way to create a specialized image with a shallow depth of field but wide angle of view, and it was popularized (though not created) by the photographer Ryan Brenizer. Similar to a panorama, Brenizer Method portraits consist of several photos stitched together to make one image. The objective of the Brenizer Method is to achieve a very shallow depth of field with a lot of background blur and bokeh. This shallow depth of field is only possible through layering images together.
To achieve this you need to use all manual settings - white balance, shutter speed, aperture, and ISO. Most importantly, though, your focus needs to be on manual or stay locked throughout the process. You will be stitching the images together in Photoshop, and it will not work if the camera automatically changes the focus for each shot. It will also look bad if the white balance changes between each shot, too. We wouldn't want a bad looking photo now, would we?
When taking the photos, I would start from left to right, top to bottom - similar to the way a book is read. Make sure you overlap each photo by at least a 1/3 to ensure Photoshop knows how to stitch the photo together. If taking portraits, make sure that the subject's face isn't cut off. Ensure the exposure, white balance, and focus remain the same throughout the process.
After importing the photos into Lightroom, select the series in the film strip and then click Photo > Edit In > Merge to Panorama in Photoshop. Leave the settings in the Photomerge dialogue box to what it's set (Auto, and Blend Images together checked) and click Ok. Wait. Then crop and edit either in Photoshop or Lightroom.
Black & White Fine Art Photography
What is due? At least 10 photos.
Objective: Explore an idea or theme and make interesting photos by paying attention to light and contrast instead of color.
Take this assignment however you want. You can create any type of photo you want (portraits, landscape, etc.) but focus on one idea or theme. Fine art photographs are created to fulfill the creative vision of the artist. Maybe try something new by doing long exposures at night but not focused on astrophotography (see photo below left) but have a vision or idea. A great example is this series by Dennis Ramos called Streetscapes.
Another option is to try using neutral density filters. This will allow you to have a slower shutter speed during the day (see below right) and have the effect of blurring the motion during day.
With black and white images, it also allows you to edit your photos differently. You can be more extreme with the contrast and dodging and burning to draw the attention to certain areas.
Objective: Explore an idea or theme and make interesting photos by paying attention to light and contrast instead of color.
Take this assignment however you want. You can create any type of photo you want (portraits, landscape, etc.) but focus on one idea or theme. Fine art photographs are created to fulfill the creative vision of the artist. Maybe try something new by doing long exposures at night but not focused on astrophotography (see photo below left) but have a vision or idea. A great example is this series by Dennis Ramos called Streetscapes.
Another option is to try using neutral density filters. This will allow you to have a slower shutter speed during the day (see below right) and have the effect of blurring the motion during day.
With black and white images, it also allows you to edit your photos differently. You can be more extreme with the contrast and dodging and burning to draw the attention to certain areas.
This Way by Dennis Ramos.
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Meditation by Jay Vulture.
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Abstract
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What is due? 5 photos.
Objective: Use elements and principles of design to create abstract photos. Wikipedia: Abstract photos are visual images that do not have an immediate association with the object world. An abstract photograph may isolate a fragment of a natural scene in order to remove its inherent context from the viewer, it may be purposely staged to create a seemingly unreal appearance from real objects, or it may involve the use of color, light, shadow, texture, shape and/or form to convey a feeling, sensation or impression. |
Steal Like an Artist & Show Your Work
What is due? Watch the videos below and be ready for a quiz.
Objective: Think about creativity, showing your work, and connect the ideas in the videos to yourself and your photography.
Objective: Think about creativity, showing your work, and connect the ideas in the videos to yourself and your photography.
Photo Joiner
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What is due? 2 photo collages in the style of David Hockney's photo joiners.
Objective: Learn about David Hockney and replicate a style of photography that he started to tell a visual story about a place or person. Choose a person or place to photograph for each collage you will create. The photos should show the same subject matter but feature different perspectives and time. Think about what the story of that person or place is? How will you show that in images? Stand in the same place, get up close, back up, think about your angles, your perspectives. Take lots of photos! We'll combine the images in Photoshop.
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Artist Inspired Photo Project
What is due? 2 photos/images.
Objective: Be inspired by artists of all styles and movements to create original art.
You will select two of the following artist, chosen from a variety of art movements, to be inspired by. Your assignment will be to investigate these two artist and then make an artwork inspired by each of them. YOU ARE NOT RECREATING ONE OF THERE ARTWORKS, OR COPYING THEM, YOU ARE BEING INSPIRED BY! All photography must be your own, and a few artist there are specific instruction for.
Objective: Be inspired by artists of all styles and movements to create original art.
You will select two of the following artist, chosen from a variety of art movements, to be inspired by. Your assignment will be to investigate these two artist and then make an artwork inspired by each of them. YOU ARE NOT RECREATING ONE OF THERE ARTWORKS, OR COPYING THEM, YOU ARE BEING INSPIRED BY! All photography must be your own, and a few artist there are specific instruction for.
Double Exposures
What is due? 4 double exposures (8 photos total).
Objectives: Learn to expose for effect. This will help students learn to expose a photo differently than the light meter suggests. Also, this project helps with pre-visualizing because an interesting double exposure needs to be thought out and planned.
Take the photos for four double exposures (8 photos total). For each double exposure, you need one photo of a subject and one photo of a scene, texture, something (be creative!) to create on the first photo. The photo with the subject needs to have an overexposed background if you want the second photo to only show up in the silhouette of the first photo. We will use Lightroom to adjust exposures first, then send the photos to Photoshop to put them together so the second photo only appears in the dark areas of the photo with the subject.
Some examples:
http://petapixel.com/2013/04/17/tutorial-shooting-double-exposures-with-a-canon-5d-mark-iii/
http://www.thisiscolossal.com/2012/07/we-are-nature-new-multiple-exposure-portraits-by-christoffer-relander/
http://www.thisiscolossal.com/2012/03/double-exposure-photographs-by-florian-imgrund/
http://www.thisiscolossal.com/2012/06/superb-multiple-exposure-portraits-by-christoffer-relander/
Instructions:
Objectives: Learn to expose for effect. This will help students learn to expose a photo differently than the light meter suggests. Also, this project helps with pre-visualizing because an interesting double exposure needs to be thought out and planned.
Take the photos for four double exposures (8 photos total). For each double exposure, you need one photo of a subject and one photo of a scene, texture, something (be creative!) to create on the first photo. The photo with the subject needs to have an overexposed background if you want the second photo to only show up in the silhouette of the first photo. We will use Lightroom to adjust exposures first, then send the photos to Photoshop to put them together so the second photo only appears in the dark areas of the photo with the subject.
Some examples:
http://petapixel.com/2013/04/17/tutorial-shooting-double-exposures-with-a-canon-5d-mark-iii/
http://www.thisiscolossal.com/2012/07/we-are-nature-new-multiple-exposure-portraits-by-christoffer-relander/
http://www.thisiscolossal.com/2012/03/double-exposure-photographs-by-florian-imgrund/
http://www.thisiscolossal.com/2012/06/superb-multiple-exposure-portraits-by-christoffer-relander/
Instructions:
- Visualize and plan what you want to create. How do you want the two photos to overlap? What do you want the subjects to be? How can you juxtapose two different things to create a more interesting double exposure?
- 1st image: Shoot your subject (person) with the sun or a bright sky behind them. Expose properly for the subject so the background is overexposed.
- 2nd image: Shoot a well-lit textured backdrop, landscape, flowers, grass, etc. This photo fills in the first image.
- The place where both images will show up the best is where dark from photo 1 overlaps dark from photo 2.
- Edit the exposure (if needed) in Lightroom.
- In Lightroom, select one photo you want to use then click Photo > Edit In > Edit in Adobe Photoshop CC. Repeat with second photo.
- Use the Move Tool to place 2nd image into the same Photoshop document as 1st image. The photo that is the bottom layer will be the outlining shape.
- Change the top layer's blending mode to Screen.
- To rotate the top layer, press command t on the keyboard to start the transformation.
- Edit using adjustment layers in Photoshop or in Lightroom (black and white? contrast? brightness? color overlay?)
- Click File > Save to send it back into Lightroom.
Water
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What is due? 5 photos.
Objective: Plan and creatively use water in your photos. Somehow incorporate water into a photo shoot or series. You may take this any direction you want, i.e. landscape, portraits, macro, conceptual, composite, slow/fast shutter speed, etc. I expect to see original ideas and photos, and I expect you to push yourself to do something new. |
Sustained Investigation Pt. 1
What is due? 2 photos.
Objective: Create two photos for the sustained investigation portion of your AP Portfolio.
Plan your photo shoot with your idea journal to get the How, Where, When, What, Who, and some example/inspiration photos in it.
Objective: Create two photos for the sustained investigation portion of your AP Portfolio.
Plan your photo shoot with your idea journal to get the How, Where, When, What, Who, and some example/inspiration photos in it.
Sustained Investigation Pt. 2
What is due? 2 photos.
Objective: Create two photos for the sustained investigation portion of your AP Portfolio.
Plan your photo shoot with your idea journal to get the How, Where, When, What, Who, and some example/inspiration photos in it.
Objective: Create two photos for the sustained investigation portion of your AP Portfolio.
Plan your photo shoot with your idea journal to get the How, Where, When, What, Who, and some example/inspiration photos in it.
Sustained Investigation Pt. 3
What is due? 2 photos.
Objective: Create two photos for the sustained investigation portion of your AP Portfolio.
Plan your photo shoot with your idea journal to get the How, Where, When, What, Who, and some example/inspiration photos in it.
Objective: Create two photos for the sustained investigation portion of your AP Portfolio.
Plan your photo shoot with your idea journal to get the How, Where, When, What, Who, and some example/inspiration photos in it.
Sustained Investigation Pt. 4
What is due? 2 photos.
Objective: Create two photos for the sustained investigation portion of your AP Portfolio.
Plan your photo shoot with your idea journal to get the How, Where, When, What, Who, and some example/inspiration photos in it.
Objective: Create two photos for the sustained investigation portion of your AP Portfolio.
Plan your photo shoot with your idea journal to get the How, Where, When, What, Who, and some example/inspiration photos in it.
Sustained Investigation Pt. 5
What is due? 2 photos.
Objective: Create two photos for the sustained investigation portion of your AP Portfolio.
Plan your photo shoot with your idea journal to get the How, Where, When, What, Who, and some example/inspiration photos in it.
Objective: Create two photos for the sustained investigation portion of your AP Portfolio.
Plan your photo shoot with your idea journal to get the How, Where, When, What, Who, and some example/inspiration photos in it.
Sustained Investigation Pt. 6
What is due? 2 photos.
Objective: Create two photos for the sustained investigation portion of your AP Portfolio.
Plan your photo shoot with your idea journal to get the How, Where, When, What, Who, and some example/inspiration photos in it.
Objective: Create two photos for the sustained investigation portion of your AP Portfolio.
Plan your photo shoot with your idea journal to get the How, Where, When, What, Who, and some example/inspiration photos in it.
Sustained Investigation Pt. 7
What is due? 3 photos.
Objective: Create two photos for the sustained investigation portion of your AP Portfolio.
Plan your photo shoot with your idea journal to get the How, Where, When, What, Who, and some example/inspiration photos in it.
Objective: Create two photos for the sustained investigation portion of your AP Portfolio.
Plan your photo shoot with your idea journal to get the How, Where, When, What, Who, and some example/inspiration photos in it.
